I’ve always loved skiing, and one of my favorite parts of any ski trip growing up was studying the trail map meticulously to figure out exactly how I wanted to tackle the mountain. Last year I got interested in the art of resort maps, and after a little digging online I confirmed a long-held suspicion: most of the maps I liked were painted by the same artist. I contacted James Niehues to learn more about his trade, and he kindly agreed to an interview. It was awesome to hear from him, and it really gave me an added appreciate for the landscapes that had fascinated me for so long. Unfortunately, in my typical indecision about what exactly to do with the piece, I completely forgot about it! Time to rectify that oversight. Instead of letting it sit in “My Documents” any longer, I figured I’d share it here on Highsnobiety. Hope you enjoy.

Telluride, CO
Anyone who has skied extensively in the Northern Hemisphere has probably experienced a feeling of déjà vu upon reaching the mountain for a day on the slopes. Is it a chemical response set off by the smell of pines, the whir of the chairlift, and the smoke rising from the lodge chimney? Or is it the familiar anticipation of the first run?
Those sensations come into play, but the source of that familiar feeling may also be as simple as the trail map. Search through the minutely detailed trees and, nine times out of ten, you’ll find the unmistakable block signature of James Niehues. Since 1986, the Colorado-based artist has hand-painted over 130 resorts, including a majority of the most popular ski mountains in the US. In the process, he’s placed a lasting stamp on the aesthetics of the ski industry.
It’s safe to say that even if they don’t know his name, most skiers recognize a Niehues when they see one.
[Hit the jump for the full interview]
