Adrian Piper
I had a chance to see this Adrian Piper piece at MoCA (Chicago) where it resides in their collection.
‘Cornered’ is easily one of the best pieces i’ve ever seen.
I’m going to leave it at this for now but there’s definitely more to come.. ‘Cornered’ will mean more to some than others but the true power of ‘Cornered’ is that it speaks to all of us.

this pic gives you the visual of how you first engage with the piece when you walk into the room.. from here on it’s all about the video (below) and her fathers Birth Certificate(s) hanging to the sides of the television.
Since the 1960’s Piper’s work has consistently challenged social, cultural, and racial stereotypes through live or documented performances. In Cornered, she is shown on video directly addressing the viewer. She identifies herself as an African American but begins to ask numerous questions about the expectations that she could “pass” as a white American and the implications of that decision. Two of her father’s birth certificates, one identifying him as black and the other as white, flank the video screen, which is set up behind a barricade-like table that suggests a gesture of defense against the audience, whose seats are arranged in an aggressive triangular formation.Piper’s work prompts you to come to terms not only with her sense of racial identity, but also your relationship to it and the way it continues to define social relationships in contemporary culture.

















































